Contenido de sensagent
1.a small high-pitched flute similar to a piccolo; has a shrill tone and is used chiefly to accompany drums in a marching band
2.a high-pitched woodwind instrument; a slender tube closed at one end with finger holes on one end and an opening near the closed end across which the breath is blown
3.a groove or furrow in cloth etc (particularly a shallow concave groove on the shaft of a column)
4.a tall narrow wineglass
5.a slender double-reed instrument; a woodwind with a conical bore and a double-reed mouthpiece
1.form flutes in
FluteFlute (?), n. [OE. floute, floite, fr. OF. flaüte, flahute, flahuste, F. fl�te; cf. LL. flauta, D. fluit. See Flute, v. i.]
1. A musical wind instrument, consisting of a hollow cylinder or pipe, with holes along its length, stopped by the fingers or by keys which are opened by the fingers. The modern flute is closed at the upper end, and blown with the mouth at a lateral hole.
The breathing flute's soft notes are heard around. Pope.
2. (Arch.) A channel of curved section; -- usually applied to one of a vertical series of such channels used to decorate columns and pilasters in classical architecture. See Illust. under Base, n.
3. A similar channel or groove made in wood or other material, esp. in plaited cloth, as in a lady's ruffle.
4. A long French breakfast roll. Simonds.
5. A stop in an organ, having a flutelike sound.
Flute bit, a boring tool for piercing ebony, rosewood, and other hard woods. -- Flute pipe, an organ pipe having a sharp lip or wind-cutter which imparts vibrations to the column of air in the pipe. Knight.
FluteFlute (flūt), n. [Cf. F. flûte a transport, D. fluit.] A kind of flyboat; a storeship.
Armed en flûte (�) (Nav.), partially armed.
FluteFlute (?), v. i. [OE. flouten, floiten, OF. flaüter, fleüter, flouster, F. flûter, cf. D. fluiten; ascribed to an assumed LL. flautare, flatuare, fr. L. flatus a blowing, fr. flare to blow. Cf. Flout, Flageolet, Flatulent.] To play on, or as on, a flute; to make a flutelike sound.
FluteFlute, v. t. [imp. & p. p. Fluted (?); p. pr. & vb. n. Fluting (?).]
1. To play, whistle, or sing with a clear, soft note, like that of a flute.
Knaves are men,
That lute and flute fantastic tenderness. Tennyson.
The redwing flutes his o-ka-lee. Emerson.
2. To form flutes or channels in, as in a column, a ruffle, etc.
12 Fantasias for solo flute (Telemann) • Albert Cooper (flute maker) • Alto flute • Anasazi flute • Andante for Flute and Orchestra • Arctic Magic Flute • Bamboo flute • Bass flute • Bb flute • Cabled flute • Charles Davis (flute player) • Chinese folk flute music • Concerto for Flute, Harp, and Orchestra (Mozart) • Contra-alto flute • Contrabass flute • Cucurbit flute • Divje Babe flute • Double contrabass flute • Eagle Flute • Eb flute • Eighteen Songs of a Nomad Flute • En flûte • End-blown flute • Eunuch flute • Five-key flute • Flaccid flute • Flute (disambiguation) • Flute (glacial) • Flute Concerto (Simpson) • Flute Concerto No. 1 (Mozart) • Flute Concerto No. 2 (Mozart) • Flute Quartet No. 1 (Mozart) • Flute Quest • Flute Reed River • Flute Sonata (Martinů) • Flute Sonata (Poulenc) • Flute Sonata (Prokofiev) • Flute Springs, Oklahoma • Flute Summit • Flute beatboxing • Flute choir • Flute concerto • Flute player • Flute players • Flute playing • Flute quartet • Flute repertory • Flute sonata • Flute sonata in A minor (HWV 374) • Flute sonata in B minor (HWV 367b) • Flute sonata in B minor (HWV 376) • Flute sonata in D major (HWV 378) • Flute sonata in E minor (HWV 359b) • Flute sonata in E minor (HWV 375) • Flute sonata in E minor (HWV 379) • Flute sonata in G major (HWV 363b) • Flute, viola and harp • Flute-nosed Bat • Flute-player • Flute-players • Flute-playing • Flûte d'amour • Francis Flute • French Flute School • German Flute • Handel flute sonatas • Hyperbass flute • International Native American Flute Association • Irish flute • List of flute makers • Lung flute • Members of the western concert flute family • Music for Flute, Strings, and Percussion • Nai (pan flute) • National Flute Association • Native American flute • Nose flute • Octobass flute • Overtone flute • Pan flute • Paris Conservatory Flute Concours • Partita in A minor for solo flute • Poké Flute • Quray (flute) • Reed Flute Cave • Sankyo Flute Company • Seattle Flute Society • Simple system flute • Smurfs and the magic flute • Sonata in A major for flute or recorder and harpsichord • Sonata in B minor for flute or recorder and harpsichord • Sonata in C major for flute or recorder and basso continuo • Sonata in E major for flute or recorder and basso continuo • Sonata in E minor for flute or recorder and basso continuo • Sonata in E-flat major for flute or recorder and harpsichord • Soprano flute • Sub-bass flute • Subcontrabass flute • Suite for Flute and Jazz Piano • Sébastien Flute • Tarka (flute) • Test flute • The Cowboy's Flute • The Fantastical Flute Fanatic • The Flute Concert of Sans-Souci • The Flute and the Arrow • The Flute's Garden of Delights • The Flute's Pleasure Garden • The Magic Flute • The Magic Flute (1975 film) • The Magic Flute (2006 film) • The Magic Flute (disambiguation) • The Magic Flute (film) • The Magic Flute (musical) • The Red Flute • The Smurfs and the Magic Flute • The Tin Flute • The list of music for flute • The magic flute • Three Preludes Op.18 for unaccompanied flute • Transverse flute • Treble flute • Vertical flute • Western concert flute • William S. Haynes Flute Company • Willow flute • Xiao (flute)
(church organ; pipe organ)[Thème]
flautist, flute player, flutist[Dérivé]
flute, transverse flute[Hyper.]
woodwind; woodwind instrument; wood[ClasseHyper.]
joueur de flûte (fr)[Classe]
play the flute[PersonneQui~]
flute, transverse flute[Dérivé]
wind instrument; wind[Classe]
flute, hautbois, hautboy, oboe[Dérivé]
flute (v. tr.)
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel-Sachs, flutes are categorized as edge-blown aerophones.
Aside from the voice, flutes are the earliest known musical instruments. A number of flutes dating to about 43,000 to 35,000 years ago have been found in the Swabian Alb region of Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.
The word flute first entered the English language during the Middle English period, as floute,, or else flowte, flo(y)te, possibly from Old French flaute and from Old Provençal flaüt,or else from Old French fleüte, flaüte, flahute via Middle High German floite or Danish fluit. Attempts to trace the word back to a Latin root have been pronounced "phonologically impossible" or "inadmissable". The first known use of the word flute was in the 14th century. According to the Oxford English Dictionary, this was in Geoffrey Chaucer's The Hous of Fame, ca. 1384.
The oldest flute ever discovered may be a fragment of the femur of a juvenile cave bear, with two to four holes, found at Divje Babe in Slovenia and dated to about 43,000 years ago. However, this has been disputed. In 2008 another flute dated back to at least 35,000 years ago was discovered in Hohle Fels cave near Ulm, Germany. The five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The researchers involved in the discovery officially published their findings in the journal Nature, in August 2009. The discovery was also the oldest confirmed find of any musical instrument in history, until a redating of flutes found in Geißenklösterle cave revealed them to be even older with an age of 42.000 to 43.000 years. The flute, one of several found, was found in the Hohle Fels cavern next to the Venus of Hohle Fels and a short distance from the oldest known human carving. On announcing the discovery, scientists suggested that the "finds demonstrate the presence of a well-established musical tradition at the time when modern humans colonized Europe". Scientists have also suggested that the discovery of the flute may help to explain "the probable behavioural and cognitive gulf between" Neanderthals and early modern human.
A three-holed flute, 18.7 cm long, made from a mammoth tusk (from the Geißenklösterle cave, near Ulm, in the southern German Swabian Alb and dated to 30,000 to 37,000 years ago) was discovered in 2004, and two flutes made from swan bones excavated a decade earlier (from the same cave in Germany, dated to circa 36,000 years ago) are among the oldest known musical instruments.
A playable 9000-year-old Gudi (literally, "bone flute") was excavated from a tomb in Jiahu along with 29 defunct twins, made from the wing bones of red-crowned cranes with five to eight holes each, in the Central Chinese province of Henan. The earliest extant Chinese transverse flute is a chi (篪) flute discovered in the Tomb of Marquis Yi of Zeng at the Suizhou site, Hubei province, China. It dates from 433 BC, of the later Zhou Dynasty. It is fashioned of lacquered bamboo with closed ends and has five stops that are at the flute's side instead of the top. Chi flutes are mentioned in Shi Jing, compiled and edited by Confucius, according to tradition.
The earliest written reference to a flute is from a Sumerian-language cuneiform tablet dated to c. 2600-2700 BCE. Flutes are also mentioned in a recently translated tablet of the Epic of Gilgamesh, an epic poem whose development spanned the period of approximately 2100-600 BCE. Additionally, a set of cuneiform tablets knows as the "musical texts" provide precise tuning instructions for seven scale of a stringed instrument (assumed to be a Babylonian lyre). One of those scales is named embūbum, which is an Akkadian word for "flute".
The Bible, in Genesis 4:21, cites Jubal as being the "father of all those who play the ugab and the kinnor". The former Hebrew term refers to some wind instrument, or wind instruments in general, the latter to a stringed instrument, or stringed instruments in general. As such, Jubal is regarded in the Judeo-Christian tradition as the inventor of the flute (a word used in some translations of this biblical passage). Some early flutes were made out of tibias (shin bones). The flute has also always been an essential part of Indian culture and mythology, and the cross flute believed by several accounts to originate in India as Indian literature from 1500 BCE has made vague references to the cross flute.
The air stream across this hole creates a Bernoulli, or siphon. This excites the air contained in the usually cylindrical resonant cavity within the flute. The player changes the pitch of the sound produced by opening and closing holes in the body of the instrument, thus changing the effective length of the resonator and its corresponding resonant frequency. By varying the air pressure, a flute player can also change the pitch of a note by causing the air in the flute to resonate at a harmonic other than the fundamental frequency without opening or closing any holes.
To be louder, a flute must use a larger resonator, a larger air stream, or increased air stream velocity. A flute's volume can generally be increased by making its resonator and tone holes larger. This is why a police whistle, a form of flute, is very wide for its pitch, and why a pipe organ can be far louder than a concert flute: a large organ pipe can contain several cubic feet of air, and its tone hole may be several inches wide, while a concert flute's air stream measures a fraction of an inch across.
The air stream must be directed at the correct angle and velocity, or else the air in the flute will not vibrate. In fippled or ducted flutes, a precisely formed and placed windway will compress and channel the air to the labium ramp edge across the open window. In the pipe organ, this air is supplied by a regulated blower.
In non-fipple flutes, the air stream is shaped and directed by the player's lips, called the embouchure. This allows the player a wide range of expression in pitch, volume, and timbre, especially in comparison to fipple/ducted flutes. However, it also makes an end blown flute or transverse flute considerably more difficult for a beginner to produce a full sound on than a ducted flute, such as the recorder. Transverse and end-blown flutes also take more air to play, which requires deeper breathing and makes circular breathing a considerably trickier proposition.
Generally, the quality called timbre or "tone colour" varies because the flute can produce harmonics in different proportions or intensities. The tone color can be modified by changing the internal shape of the bore, such as the conical taper, or the diameter-to-length ratio. A harmonic is a frequency that is a whole number multiple of a lower register, or "fundamental" note of the flute. Generally the air stream is thinner (vibrating in more modes), faster (providing more energy to excite the air's resonance), and aimed across the hole less deeply (permitting a more shallow deflection of the air stream) in the production of higher harmonics or upper partials.
Head joint geometry appears particularly critical to acoustic performance and tone, but there is no clear consensus on a particular shape amongst manufacturers. Acoustic impedance of the embouchure hole appears the most critical parameter. Critical variables affecting this acoustic impedance include: chimney length (hole between lip-plate and head tube), chimney diameter, and radii or curvature of the ends of the chimney and any designed restriction in the "throat" of the instrument, such as that in the Japanese Nohkan Flute.
A study in which professional players were blindfolded could find no significant differences between instruments made from a variety of different metals. In two different sets of blind listening, no instrument was correctly identified in a first listening, and in a second, only the silver instrument was identified. The study concluded that there was "no evidence that the wall material has any appreciable effect on the sound color or dynamic range of the instrument".
In its most basic form, a flute can be an open tube which is blown like a bottle. There are several broad classes of flutes. With most flutes, the musician blows directly across the edge of the mouthpiece. However, some flutes, such as the whistle, gemshorn, flageolet, recorder, tin whistle, tonette, fujara, and ocarina have a duct that directs the air onto the edge (an arrangement that is termed a "fipple"). These are known as fipple flutes. The fipple gives the instrument a distinct timbre which is different from non-fipple flutes and makes the instrument easier to play, but takes a degree of control away from the musician.
Another division is between side-blown (or transverse) flutes, such as the Western concert flute, piccolo, fife, dizi, and bansuri; and end-blown flutes, such as the ney, xiao, kaval, danso, shakuhachi, Anasazi flute, and quena. The player of a side-blown flute uses a hole on the side of the tube to produce a tone, instead of blowing on an end of the tube. End-blown flutes should not be confused with fipple flutes such as the recorder, which are also played vertically but have an internal duct to direct the air flow across the edge of the tone hole.
Flutes may be open at one or both ends. The ocarina, xun, pan pipes, police whistle, and bosun's whistle are closed-ended. Open-ended flutes such as the concert flute and the recorder have more harmonics, and thus more flexibility for the player, and brighter timbres. An organ pipe may be either open or closed, depending on the sound desired.
Flutes may have any number of pipes or tubes, though one is the most common number. Flutes with multiple resonators may be played one resonator at a time (as is typical with pan pipes) or more than one at a time (as is typical with double flutes).
Flutes can be played with several different air sources. Conventional flutes are blown with the mouth, although some cultures use nose flutes. The flue pipes of organs, which are acoustically similar to duct flutes, are blown by bellows or fans.
The Western concert flute, a descendant of the 19th-century German flute, is a transverse flute that is closed at the top. An embouchure hole is positioned near the top, across and into which the player blows. The flute has circular tone holes, larger than the finger holes of its baroque predecessors. The size and placement of tone holes, the key mechanism, and the fingering system used to produce the notes in the flute's range were evolved from 1832 to 1847 by Theobald Boehm, and greatly improved the instrument's dynamic range and intonation over those of its predecessors. With some refinements (and the rare exception of the Kingma system and other custom adapted fingering systems), Western concert flutes typically conform to Boehm's design, known as the Boehm system. Beginner's flutes are normally made of nickel, silver or brass which is silver plated, while professionals use solid silver, gold, and sometimes platinum instruments. There are also modern wooden bodies instruments usually with silver or gold keywork. The wood is usually African Blackwood.
The standard concert flute is pitched in the key of C and has a range of three octaves starting from middle C (or one half-step lower, when a B foot is attached to the instrument). This means that the concert flute is one of the highest common orchestral instruments, with the exception of the piccolo, which plays an octave higher. G alto and C bass flutes are used occasionally, and are pitched a perfect fourth and an octave below the concert flute, respectively. Parts are written for alto flute more frequently than for bass. The contrabass, double contrabass, and hyperbass are other rare forms of the flute pitched two, three, and four octaves below middle C respectively.
Other sizes of flutes and piccolos are used from time to time. A rarer instrument of the modern pitching system is the treble G flute. Instruments made according to an older pitch standard, used principally in wind-band music, include Db piccolo, soprano flute (the primary instrument, equivalent to today's concert C flute), F alto flute, and Bb bass flute.
The bamboo flute is an important instrument in Indian classical music, and developed independently of the Western flute. The Hindu God Krishna is traditionally considered a master of the bamboo flute. The Indian flutes are very simple compared to the Western counterparts; they are made of bamboo and are keyless.
Pannalal Ghosh, a legendary Indian flutist, was the first to transform a tiny folk instrument to a bamboo flute (32 inches long with seven finger holes) suitable for playing traditional Indian classical music, and also to bring to it the stature of other classical music instruments. The extra hole permitted madhyam to be played, which facilitates the meends (like M N, P M and M D) in several traditional ragas.
Pandit Raghunath Prasanna developed various techniques in the realm of flute playing so as to faithfully reproduce the subtleties and nuances of the Indian classical music. In fact, he was responsible to provide a strong base to his Gharana by training his own family members. Disciples of the family like Pt. Bhola nath Prasanna, Pt. Hari Prasad Chaurasia, Pt. Rajendra Prasanna globally known for their melodious music.
Indian concert flutes are available in standard pitches. In Carnatic music, the pitches are referred by numbers such as (assuming C as the tonic) 1 (for C), 1½ (C#), 2 (D), 2½ (D#), 3 (E), 4 (F), 4½ (F#), 5 (G), 5½ (G#), 6 (A), 6½ (A#) and 7 (B). However, the pitch of a composition is itself not fixed and hence any of the flutes may be used for the concert (as long as the accompanying instruments, if any, are tuned appropriately) and is largely left to the personal preference of the artist.
Two main varieties of Indian flutes are currently used. The first, the Bansuri, has six finger holes and one embouchure hole, and is used predominantly in the Hindustani music of Northern India. The second, the Venu or Pullanguzhal, has eight finger holes, and is played predominantly in the Carnatic music of Southern India. Presently, the eight-holed flute with cross-fingering technique is common among many Carnatic flutists. Prior to this, the South Indian flute had only seven finger holes, with the fingering standard developed by Sharaba Shastri, of the Palladam school, at the beginning of the 20th century.
In China there are many varieties of dizi (笛子), or Chinese flute, with different sizes, structures (with or without a resonance membrane) and number of holes (from 6 to 11) and intonations (different keys). Most are made of bamboo, but can come in wood, jade, bone, and iron. One peculiar feature of the Chinese flute is the use of a resonance membrane mounted on one of the holes that vibrates with the air column inside the tube. It gives the flute a bright sound.
Commonly seen flutes in the modern Chinese orchestra are the bangdi (梆笛), qudi (曲笛), xindi (新笛), and dadi (大笛). The bamboo flute played vertically is called the xiao (簫), which is a different category of wind instrument in China.
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The sodina is an end-blown flute found throughout the island state of Madagascar, located in the Indian Ocean off southeastern Africa. One of the oldest instruments on the island, it bears close resemblance to end-blown flutes found in Southeast Asia and particularly Indonesia, where it is known as the suling, suggesting the predecessor to the sodina was carried to Madagascar in outrigger canoes by the island's original settlers emigrating from Borneo. An image of the most celebrated contemporary sodina flutist, Rakoto Frah (d. 2001), was featured on the local currency.
The sring (also called blul) is a relatively small, end-blown flute with a nasal tone quality and the pitch of a piccolo, found in the Caucasus region of Eastern Armenia. It is made of wood or cane, usually with seven finger holes and one thumb hole, producing a diatonic scale. The sring is used by shepherds to play various signals and tunes connected with their work, and also lyrical love songs called chaban bayaty, as well as programmatic pieces. The sring is also used in combination with the def and the dohl to provide music for dancing. One Armenian musicologist believes the sring to be the most characteristic of national Armenian instruments.
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A selection of historic flutes from around the world at The Metropolitan Museum of Art